Linda Buckley [b. 1979]
Haza for string quartet and tape [2016]
Performed by the ConTempo Quartet
Recorded at Hellfire Studio, Dublin, December 2019
Adrian Hart Recording Engineer & Producer
Published by NMC Recordings on 'From Ocean's Floor'
Haza was written with the ConTempo Quartet very much in mind - I have long admired their totally embodied and visceral approach to performance, their unbridled energy and pure expression. The work was completed while on Fulbright scholarship to New York. Haza is the Hungarian word for 'home' and can also be used to signify 'motherland'. I imagined Bartok in the last years of his life which were spent in exile in New York, walking the same streets that he walked. He always wished to return home, and was finally granted permission to go back to Hungary, but never made the journey, falling ill and dying of leukemia in 1945. His legacy certainly lives on, and somehow within this piece I wished for his return home, to the peace, happiness and nature he had so longed for. Linda Buckley
Linda Buckley is an award winning Irish composer (born in Cork, 1979) who creates electronic and acoustic music, and has a particular interest in working across many disciplines, most notably film and in the realm of drone and dark ambient music. Her NMC record From Ocean’s Floor was featured by Iggy Pop on BBC Radio 6 as “beautiful music – here is somebody really special”. Her work has been described as “sublime and brilliant” (BBC Radio 3), “engaging with an area of experience that new music is generally shy of, which, simplified and reduced to a single word, I’d call ecstasy” (Bob Gilmore, Journal of Music). She has written extensively for orchestra (BBC Symphony Orchestra, RTÉ NSO), was elected to Aosdana in 2021, and is Associate Artist with Chamber Music Scotland.
She has worked in many collaborative contexts including scoring film by Kathryn Ferguson (Nothing Compares co-composed with Irene Buckley, nominated for Best Score at the IFTA Awards and Cinema Eye Honors), Mark Cousins (Like a Huge Scotland and A Sudden Glimpse to Deeper Things), Pat Collins (That He May Face the Rising Sun co-composed with Irene Buckley, Living in a Coded Land, Henry Glassie: Field Work) and Tadhg O’Sullivan (To The Moon). Awards include a Fulbright scholarship to New York University, a Civitella Ranieri Fellowship, the Frankfurt Visual Music Award (for Silk Chroma) and Gold at the New York Festivals Radio Awards (for Mother’s Blood, Sister Songs documentary with Athena Media).
Recent collaborations include new work for Liam Byrne and Crash Ensemble, Gudrun Gut (Einstürzende Neubauten), Andrew Zolinsky (for Dark Music Days, hcmf and New Music Dublin). She was invited by John Schaefer’s New Sounds Live (WNYC) to present the New York premiere of a new live score to the silent horror film Nosferatu (co-composed with Irene Buckley) at Brookfield Place. Linda holds a Music Degree from University College Cork, a Masters in Music and Media Technologies and a PhD in Composition from Trinity College Dublin. She has lectured in Composition at Trinity College Dublin, Pulse College at Windmill Lane and at the Royal Conservatoire of Scotland. In September 2020 her NMC record, From Ocean’s Floor was released: “The Irish composer combines traditional séan-nos singing with an electronic soundscape, connecting past and future … It’s clear how much Buckley deeply connects her past to her present, opening up possibilities for our mutual musical futures.” Guardian – Album of the Month, ‘a masterpiece in connecting the past and future.’ Evening Standard